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The online editorial and curatorial project for reductive, geometric and systems artists working in the UK

Website: Chestnuts Design

©Copyright Patrick Morrissey and Clive Hancock  All rights reserved.


From Centre | London | 2015


Curated by Saturation Point Projects & Slate Projects

The Loud & Western Building, 65 Broughton Road, SW6 2LE   

11 April to 26 April / open Thu-Sun 12-6pm, and by appointment

Systems Art review   |  Tondo review   One of the RA’s picks of the week  | a.n review |

Patterns that connect review | Andy Parkinson review    |  Systems Art review   Illustrated catalogue      Essays included in catalogue:

In search of meaning | Nathan Cohen

Beyond the Algorithm | Laura Davidson

Reconnecting the Corporeal | Laura Davidson

Exhibiting artists:
William Angus-Hughes, Rana Begum, Martin Church, Nathan Cohen, Rhys Coren, Natalie Dower, Judith Duquemin, Julia Farrer, Ben Gooding, Lothar Götz, Hanz Hancock, Tess Jaray, Silvia Lerin, Peter Lowe, Patrick Morrissey, Laurence Noga, Charley Peters, Richard Plank, Giulia Ricci, Carol Robertson, Robin Seir, Steve Sproates, Trevor Sutton


“Sometimes I dream of a work of really great breadth, ranging through the whole region of element, object, meaning and style. This I fear, will remain a dream, but is a good thing even now to bear the possibility occasionally in mind. Nothing can be rushed. It must grow, it should grow of itself, and if the time ever comes for that work - then so much the better!
Paul Klee, On Modern Art (1948)


From Centre, curated by Saturation Point Projects and Slate Projects, is a group exhibition which surveys contemporary approaches to reductive geometric painting, drawing and sculpture. Spanning several generations of artists, born in every decade from the 1930s to the 1980s, From Centre makes the case for the growing relevance of abstract art in the UK. Curated over three floors in a converted laundry, the works exhibited expand on the notions of architectural space, surface play, systematic painting, and sense of place.