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The curatorial and editorial project for systems, non-objective and reductive artists working in the UK

Website: Chestnuts Design

©Copyright Patrick Morrissey and Clive Hancock  All rights reserved.

REVIEWS | 2020-2022


Recent reviews

REVIEWS 2020-2022

REVIEWS 2019

REVIEWS 2018

REVIEWS 2017

REVIEWS 2016

REVIEWS 2015

REVIEWS 2014




We like the taste of certain poisons: new paintings by Richard Graville. NoHawkers Gallery,Oct 2022; review by Geoff Hands

We like the taste of certain poisons


Intersections: Richard Smith at Flowers Kingsland Gallery, Dec 2022. Review by Laurence Noga

Intersections


Expanded Impermanence at Saturation Point, May 2022: review by Laurence Noga


Constructing Exchange at Artshed, Glaisdale, July-Aug 2022: review by Annie O’Donnell



After Image


Rafaël Rozendaal at Site Gallery, Sheffield. Review by Robert Good, Nov 2021


Cluster: Anna Fairchild, Sian-Kate Mooney and Lucy Renton, Nov 2021. Essay by Cherry Smyth

Acoustic Colour


Small World: Trevor Sutton at Zuleika Gallery. Review by Jeremy Morgan,

Sept 2021

Cluster

Cluster: Anna Fairchild, Sian-Kate Mooney and Lucy Renton, Nov 2021. Review by John Stephens


State your position

State Your Position at saasfee*pavillon, Frankfurt. Review by Geoff Hands, August 2020

After Image: Michael Kidner at Flowers Gallery, Feb 2022. Review by Laurence Noga

Expanded  Impermanence



H_A_R_D_P_A_I_N_T_I_N_G_x2, Phoenix Art Space, Brighton. Review by Geoff Hands, Feb 2020

Mind’s Eye: Carol Robertson and Terry Frost. Review by Geoff Hands, Sept 2021


Eric Butcher review

Eric Butcher |  Sweet Heresy at Patrick Heide Contemporary Art. Review by Clare French, January 2020

Hardpainting review Small world Rafael Rozendaal Cluster_John Stephens review

Acoustic Colour: Carol Robertson and Trevor Sutton at ARTSHED, May 2022. Review by Annie O’Donnell

Constructing Exchange